Singing becomes a form of therapy.
The public is a part of my real life.
I feel at home in an orchestral score.
Between parts I was too old for and roles that were too overwhelming, out of reach then for my voice. I carved out a niche with the Wagnerian repertoire since I am attracted by its theatrical intensity.
I feel like a little boy who is constantly offered new toys.
The atmosphere of the theater is my oxygen.