I'm really into production and I'm also into producing my own sound because the sonics, in a way, is the language.

Maybe there is a feeling that women get judged more about how they look and how they present themselves visually as opposed to what they are thinking and feeling. Especially as a female performer that happens a lot, and I think that is regressing even more, which I find really sad.

Classical music was my starting point. My mum would expose me to a lot of music and take me to really weird concerts when I was possibly too young.

I always want to know which tracks are the journalists' favourites.

I know the void, the void knows me. It keeps us weak; the void told me.

When I perform on stage I do achieve quite a variety of ways of singing. I was interested in trying to replicate that in the studio environment. I think it is an interesting alternative position, just to stretch people's imagination, myself included, as to who is actually singing the song. It's not to create alter-egos or characters - it always feels like me, even when the voice is extremely manipulated.

Three languages - the video, the music and the live performance - are awesome to bring together.