When I perform on stage I do achieve quite a variety of ways of singing. I was interested in trying to replicate that in the studio environment. I think it is an interesting alternative position, just to stretch people's imagination, myself included, as to who is actually singing the song. It's not to create alter-egos or characters - it always feels like me, even when the voice is extremely manipulated.

Music has always been a big part of my life, it moves me, it educates me and it makes me grow. It is a fantastic language to help you explore ideas.

Three languages - the video, the music and the live performance - are awesome to bring together.

I feel that the internal worlds of women are not that well represented by society. It is not an immediate thing people think about - the imagination of women or women's philosophy.

Maybe there is a feeling that women get judged more about how they look and how they present themselves visually as opposed to what they are thinking and feeling. Especially as a female performer that happens a lot, and I think that is regressing even more, which I find really sad.

The music suddenly became important enough for me to build my own sound studio and start to prepare songs to possibly put out into the world.

Classical music was my starting point. My mum would expose me to a lot of music and take me to really weird concerts when I was possibly too young.