I think that there are people who go to the best stores, and they have money, so money is no object, but they can't find a pretty dress - and I think that's their problem because the dresses are out there somewhere. So I think the answers to these questions lie somewhere in there.

I like people with guts. I want to feel in the clothes what the designer is really feeling when they're alone with themselves and their fabrics and they're drawings, and what happens when they let the creativity that they have been blessed with come forward. That's why they are who they are.

I think Diana Vreeland recognized the passion and the energy I had. I stayed at Harper's Bazaar for two years, until I met my first husband and moved on to Philadelphia in 1952. But they were incredible years - wonderful, wonderful years. But, anyway, my career sort of took off from there. I was really blessed.

You can squint and see something else, or something will come forward in the paint. You'll always see something else.

You cannot squelch what's happening at the moment - you cannot put a lid on it and squash it down.

I was fascinated looking at John Galliano's couture. They're just extraordinary extravaganzas and I love it. I love looking at it because it's like going to a museum.

I think that some people have wonderful spots. I think that Karl Lagerfeld has a wonderful spot designing for Chanel. They really just let him go. I think John Galliano is a huge talent. Marc Jacobs is also a huge talent - and a very interesting one to me.