How many times have people said to me, "I think those pants are incredible, but I could never wear them." Well, why not? What's so different about these pants? I wear very classic things, but maybe with a little change here or there.

I also had a huge crush on William Holden. I would go to see William Holden's movies alone - I didn't want to be with anybody. I just wanted to be with him.

I hate grunge. It was the worst period of my life.

There are some very creative people out there who are like Steven Meisel, and that is why their work is so extraordinary.

When I graduated from school, World War II was still going on. At the time, my eldest sister, Nancy, was working in New York City at Lord & Taylor, and she had a great friend named Sally Kirkland who she worked with there and who later went to work as an editor at Vogue. I always told them, "I want to work in fashion like you do," and finally, in the late '40s, I got a job at Lord & Taylor, too.

That's why you have to keep your mind open - so that you can be given the privilege to have five weeks in Japan and take all of that in. I mean, that's privilege to be able to do that. And you have to give that privilege back - it doesn't belong to you. It belongs to the madding crowd.

When you think about Balenciaga muse and model Charlotte Gainsbourg and Lou Doillon - I mean, you look at their mother Jane Birkin, and what they have grown up to be . . . They aren't invaded in fashion, and yet they love it.I mean, who is going to schlep these big skirts and trains and all these things? How wonderful it is to see the young in miniskirts!