I think there a lot of great photographers working right now in the 2010. At the same time I do occasionally feel a great disappointment in some of the things that I see from certain people. But it is today.

If you've taken the job to be the stylist for a collection, then I think it's important for you to really listen to the designer and look at the board. Look at the wall, look at what the designer is interested in, and then move on to that. But the designer also must not lose sight of the reason for their point of view. Otherwise it won't come across.

I cannot imagine what an influence a five-week trip to the Orient had on me. I mean, the culture, the absorption of the Japanese way of life, the Japanese way of thinking, the discipline. The entire thing was an extraordinary experience. So these were more than memorable things to me.

I remember once I didn't like a dress that we had to shoot - I'll never forget this - and so I turned it inside out and put it on the model backward.

I think that there are people who go to the best stores, and they have money, so money is no object, but they can't find a pretty dress - and I think that's their problem because the dresses are out there somewhere. So I think the answers to these questions lie somewhere in there.

I always took a great interest in my clothes. My sister, who was 13 months older, and I always dressed alike, but as I got a little bit older, I didn't like that because I wanted to dress differently. So our mother would put Patty in blue and Polly in pink, or we would wear complementary colors, but the shapes we were wearing were always the same, and I was very interested in that. I also took great interest in my dolls and their clothes.

I also had a huge crush on William Holden. I would go to see William Holden's movies alone - I didn't want to be with anybody. I just wanted to be with him.