I think there a lot of great photographers working right now in the 2010. At the same time I do occasionally feel a great disappointment in some of the things that I see from certain people. But it is today.

I think Alexander McQueen was very, very special. When I went to his first show, I couldn't speak because I was so enthralled. I was saying to myself, "What am I looking at here? What's going on here?" Because, I'm really a loner. I've been a loner for a long time, because I guess I prefer that. For me to get the best out of myself, I have to trust my judgment. And so while watching an Alexander McQueen collection, I would feel isolated. Even though I was surrounded, I would still feel isolated by what I was looking at, if that makes sense.

When I graduated from school, World War II was still going on. At the time, my eldest sister, Nancy, was working in New York City at Lord & Taylor, and she had a great friend named Sally Kirkland who she worked with there and who later went to work as an editor at Vogue. I always told them, "I want to work in fashion like you do," and finally, in the late '40s, I got a job at Lord & Taylor, too.

I personally do not think that I have ever done, in my working life, anything vulgar. I know I've done provocative things.

I think movies also played a part in my interest in fashion. I've also always been hooked on the movies. From my early teens on, I always had my favorite movie stars who I admired, like Carole Lombard and Greta Garbo and Marlene Dietrich, and the men in my life who I loved, like Gary Cooper.

I think that there are people who go to the best stores, and they have money, so money is no object, but they can't find a pretty dress - and I think that's their problem because the dresses are out there somewhere. So I think the answers to these questions lie somewhere in there.

You can squint and see something else, or something will come forward in the paint. You'll always see something else.