I think Diana Vreeland recognized the passion and the energy I had. I stayed at Harper's Bazaar for two years, until I met my first husband and moved on to Philadelphia in 1952. But they were incredible years - wonderful, wonderful years. But, anyway, my career sort of took off from there. I was really blessed.

I think that some people have wonderful spots. I think that Karl Lagerfeld has a wonderful spot designing for Chanel. They really just let him go. I think John Galliano is a huge talent. Marc Jacobs is also a huge talent - and a very interesting one to me.

When you think about Balenciaga muse and model Charlotte Gainsbourg and Lou Doillon - I mean, you look at their mother Jane Birkin, and what they have grown up to be . . . They aren't invaded in fashion, and yet they love it.I mean, who is going to schlep these big skirts and trains and all these things? How wonderful it is to see the young in miniskirts!

They were enormously chic. My father was very chic. My mother was a heavy woman and she wore wonderful, bright colors, and pajamas, but when she was in town or in New York City or in Paris, she would wear navy blue or black. But there was a flamboyance to both of them.

I was fascinated looking at John Galliano's couture. They're just extraordinary extravaganzas and I love it. I love looking at it because it's like going to a museum.

I think movies also played a part in my interest in fashion. I've also always been hooked on the movies. From my early teens on, I always had my favorite movie stars who I admired, like Carole Lombard and Greta Garbo and Marlene Dietrich, and the men in my life who I loved, like Gary Cooper.

I like people with guts. I want to feel in the clothes what the designer is really feeling when they're alone with themselves and their fabrics and they're drawings, and what happens when they let the creativity that they have been blessed with come forward. That's why they are who they are.