I like people with guts. I want to feel in the clothes what the designer is really feeling when they're alone with themselves and their fabrics and they're drawings, and what happens when they let the creativity that they have been blessed with come forward. That's why they are who they are.

I like people with guts. I want to feel in the clothes what the designer is really feeling when they're alone with themselves and their fabrics and they're drawings, and what happens when they let the creativity that they have been blessed with come forward. That's why they are who they are.

I think the reason for vulgarity is because of the freedom that there is now to do certain things, and a lack of sophistication on the part of some people who, in their work, like to give the impression of, "Has there been intercourse or not? Are they about to?" But they take it into a realm that has a vulgar touch to it.

That's why you have to keep your mind open - so that you can be given the privilege to have five weeks in Japan and take all of that in. I mean, that's privilege to be able to do that. And you have to give that privilege back - it doesn't belong to you. It belongs to the madding crowd.

They were enormously chic. My father was very chic. My mother was a heavy woman and she wore wonderful, bright colors, and pajamas, but when she was in town or in New York City or in Paris, she would wear navy blue or black. But there was a flamboyance to both of them.

I cannot imagine what an influence a five-week trip to the Orient had on me. I mean, the culture, the absorption of the Japanese way of life, the Japanese way of thinking, the discipline. The entire thing was an extraordinary experience. So these were more than memorable things to me.

There are certain people who hang onto nostalgia and I wish they wouldn't. I wish the young beautiful actresses and other people - I wish they would not hark back to clothes that look more like they've dressed in their mother's clothes.