When I signed with Scooter Braun and I decided to go overseas to promote my song, the only concern was how should I communicate with the public and the audience with my language. Scooter and I talked a lot about that: should we translate or not? Finally we didn't, and I think that was a really good decision.

It's tiring to be asked the same questions all day long: 'What is Gangnam style?' and 'Teach me how to dance.'

I'm not that good looking. That's why 'Gangnam Style' works. If someone handsome uses that phrase it's just awkward. But if someone like me uses it, it's funny.

We are just at the studio, me and my choreographers, we are spending like 30 nights and we are thinking, what is my next dance move? Because in Korea there are huge expectations about my dancing. So it was a lot of pressure.

I like the word 'artist,' but I don't like the word 'artist' inside my house.

The basic principle I have is that what is most Korean is what is the most international. I don't want to come here and act like I'm an American. I want to showcase the dynamic potential Korea has, and I want to prove that as an artist.

In Korean, my lyrics are witty and have twists. But translated into English, it doesn't come over. I've tried writing in English, just for me, but it doesn't work. I've got to know everything about a culture, and I don't.