I like music with soul and passion and the good of humanity. As long as it has those things, I'm all the way in.

I grew up on the rough side of the tracks. If you looked like you were soft, you would be fodder for the wolves. I came up in my neighbourhood like, 'I'm just gonna be me,' and all the thugs just said, 'It's OK, he's special.' They knew I had the talent with the rhymes, so they kept me around.

Back in the days when I was a teenager, Before I had status and before I had a pager, You could find The Abstract listening to hip-hop, My pops used to say, it reminded him of be-bop, I said, well daddy don't you know that things go in cycles, The way that Bobby Brown is just ampin' like Michael, It's all expected, things are for the lookin', If you got the money, Quest is for the bookin'...

With the black male as a teenager, where you're coming from the ghettos and that kind of stuff, you've got to assert yourself, be macho, not let anybody walk over you, so that's where all this unnecessary bullshit comes from - from egos. That's why there are a lot of fights. That's how come the whole thing with rap has been violent. It's because of the male ego.

For me with art and all that stuff - I like abstraction. I like contortion. I mean, it's still truth. But it's truth through the center of the individual. It doesn't necessarily mean that it's fallacies or falsehoods. It just happens to be one perception of what's happening.

Satisfaction, I have the right tactics... And if you need em I got crazy prophylactics.

I have a very connected history with Bilal. I heard his demo years ago. I heard all of the magic instantly. He's a master at interpretation of song.