Predating the Internet and predating videos, you had an active imagination. You would hear sounds and then get mental pictures of what these sounds felt like to you. It engaged you and made you more invested in it. It made you want to get tickets to the show, buy the album, put the poster on the wall. Now it's sensory overload.

For me with art and all that stuff - I like abstraction. I like contortion. I mean, it's still truth. But it's truth through the center of the individual. It doesn't necessarily mean that it's fallacies or falsehoods. It just happens to be one perception of what's happening.

In 1999, I just came out of putting out the song 'Vivrant Thing' and 'Breathe and Stop' off the 'Amplified' album. Clive Davis signed me to Arista.

Genetics and beats? I feel like the drumbeat is a natural thing. Our heartbeat moves at a certain BPM. The drumbeat, being the first instrument, the platform for us, being that we all kind of come from that - it's all beats.

To be honest I'm not going to sell dreams like everybody else does and say, "Sure, it can be changed." I don't want to seem like a pessimist, but nothing's getting better.

I have a very connected history with Bilal. I heard his demo years ago. I heard all of the magic instantly. He's a master at interpretation of song.

All we want in this life is peace, prosperity and a little paper...