To be honest I'm not going to sell dreams like everybody else does and say, "Sure, it can be changed." I don't want to seem like a pessimist, but nothing's getting better.

I do try to speak of positive things. I still try to, like, present two sides of the story, and I do try to relate to life in a 360 degree and not be one-dimensional. But by all means, manage expectations.

For people who love Tribe, I'm the defector. They say, 'You should get back with Ali to do the beats.' But a lot of people don't realize I did all the music in Tribe. In the first three albums, I did all the beats!

For me with art and all that stuff - I like abstraction. I like contortion. I mean, it's still truth. But it's truth through the center of the individual. It doesn't necessarily mean that it's fallacies or falsehoods. It just happens to be one perception of what's happening.

I grew up on the rough side of the tracks. If you looked like you were soft, you would be fodder for the wolves. I came up in my neighbourhood like, 'I'm just gonna be me,' and all the thugs just said, 'It's OK, he's special.' They knew I had the talent with the rhymes, so they kept me around.

I have a very connected history with Bilal. I heard his demo years ago. I heard all of the magic instantly. He's a master at interpretation of song.

In 1999, I just came out of putting out the song 'Vivrant Thing' and 'Breathe and Stop' off the 'Amplified' album. Clive Davis signed me to Arista.