There are three reasons for becoming a writer: the first is that you need the money; the second that you have something to say that you think the world should know; the third is that you can't think what to do with the long winter evenings.

Charisma is the ability to influence without logic.

When I was young, I don't know how, I spent all my time in the presence of married women telling me their troubles. And when I said 'Why did you marry?' they said, 'Oh I married to get away from home.' And when I said, 'And why don't you leave him?' they gave the saddest answer in the world: they said, 'Where would I go?' So they stayed with men they didn't like because they had nowhere to go.

When I was young, I and the whole world thought that all homosexuals were effeminate. And of course they're not. You can just see which people are effeminate; that's the only difference. So, I became a prototype of the effeminate man, because I was conspicuously effeminate. But camp is not something I do, it's something I am.

Though intelligence is powerless to modify character, it is a dab hand at finding euphemisms for its weaknesses.

Style, in the broadest sense of all, is consciousness. More specifically it is a consistent idiom arising spontaneously from the personality but deliberately maintained.

Vienna is cold, and dark, and sad. It is laid out as though for a royal parade; the streets are wide and they're flanked by monumental buildings, decorated with the faces of angry gods. And on the roof are statues of national heroes, wielding weapons of destruction.