Around age 18, I decided to start writing my own stuff. I wrote some bad short films and shot them. I tried to make them better and better. I slowly learned how to make movies, and I think I'm still learning.

I want to be someone who is doing something solid. And I am doing my thing. You can like it or not, but I know that now I have a really nice group of really cool and talented actors that follow me. It's the same for them. They have a special connection with my movies because we do these movies differently.

On the set, everybody is different, so you have to deal with different sensibilities. I don't have a method. Usually, I try to have a good connection with the actor that I'm filming. Even a guy who's there with two lines of dialogue, I always try to have a connection with the guy I'm filming, just to make it into a nice, enjoyable moment.

It [moviemaking] is like a dream. When you're dreaming, you make some very strange connections between some random stuff and random people.

I've been obsessed with making movies since I was 15. I watched a lot of movies when I was young, and I decided that I wanted to do that because I was a passionate kid about watching movies.

I'm a small filmmaker, making my small, low-budget movies, but I'm super lucky to know that everybody reacts differently to my movies. That's interesting.

It depends on the way you shoot it. It's something I don't really control. The main goal is to make a funny movie, but then I let my mind go. I get lost sometimes in the writing, trying to find some special zones. That's the excitement of making a movie.