On the set, everybody is different, so you have to deal with different sensibilities. I don't have a method. Usually, I try to have a good connection with the actor that I'm filming. Even a guy who's there with two lines of dialogue, I always try to have a connection with the guy I'm filming, just to make it into a nice, enjoyable moment.

It [moviemaking] is like a dream. When you're dreaming, you make some very strange connections between some random stuff and random people.

If you lost the love of your life, that's a nightmare.

I always try to be different. I always want to surprise myself.

When I'm on the set, I take five minutes to find the best angle for a scene, and then we just shoot it and it looks exactly what you see on screen because I don't touch it afterwards. I never think about it, before being on the set. That's my thing. I love to be stuck.

When you watch an audience watching my movies, you realize that nobody laughs at the same time. Some people enjoy a beat, and then another group of people are laughing at a sight gag, and then someone laughs where nobody laughs before. They're not timed like a comedy. You're not supposed to laugh at every joke. You decide.

I'm just trying to find some secret places in the human brain because I think movies tend to be too rational sometimes. Everything is supposed to make sense. Everything is supposed to be logical.