On the set, everybody is different, so you have to deal with different sensibilities. I don't have a method. Usually, I try to have a good connection with the actor that I'm filming. Even a guy who's there with two lines of dialogue, I always try to have a connection with the guy I'm filming, just to make it into a nice, enjoyable moment.

It [moviemaking] is like a dream. When you're dreaming, you make some very strange connections between some random stuff and random people.

When I'm on the set, I take five minutes to find the best angle for a scene, and then we just shoot it and it looks exactly what you see on screen because I don't touch it afterwards. I never think about it, before being on the set. That's my thing. I love to be stuck.

Around age 18, I decided to start writing my own stuff. I wrote some bad short films and shot them. I tried to make them better and better. I slowly learned how to make movies, and I think I'm still learning.

So many people are killing their childhood. It's like, "Okay, today I've decided I'm gonna be a grown-up, and I'm not a kid anymore." But, that's bullshit. You're still a kid. It makes no sense to kill the kid.

A real good artist is basically a grown-up kid, who never kills the kid. What we call being an adult is basically about killing the kid. People think you have to forget about the kid to become an adult and deal with grown-up problems. But, that's bullshit. We are still kids. It's the same, you just grow up. You're a kid with more experience.

I'm a small filmmaker, making my small, low-budget movies, but I'm super lucky to know that everybody reacts differently to my movies. That's interesting.