To me, the movie is more funny if, at the same time, you can think a little bit or dream a little bit.

It depends on the way you shoot it. It's something I don't really control. The main goal is to make a funny movie, but then I let my mind go. I get lost sometimes in the writing, trying to find some special zones. That's the excitement of making a movie.

So many people are killing their childhood. It's like, "Okay, today I've decided I'm gonna be a grown-up, and I'm not a kid anymore." But, that's bullshit. You're still a kid. It makes no sense to kill the kid.

On the set, everybody is different, so you have to deal with different sensibilities. I don't have a method. Usually, I try to have a good connection with the actor that I'm filming. Even a guy who's there with two lines of dialogue, I always try to have a connection with the guy I'm filming, just to make it into a nice, enjoyable moment.

It [moviemaking] is like a dream. When you're dreaming, you make some very strange connections between some random stuff and random people.

To me, the movie is more funny if, at the same time, you can think a little bit or dream a little bit.

I really think that life isn't logical and life isn't always meaningful. I'm just trying to go into that zone without being too random, and just trying to create some new logic [in moviemaking] that feels like dreams.