It [moviemaking] is like a dream. When you're dreaming, you make some very strange connections between some random stuff and random people.

That's what happens with most comedies. If you watch 10 minutes and there's no joke, then you're disappointed because you're expecting jokes. The same goes for emotional movies. You have to feel something. If you don't feel anything for 10 minutes, you get bored.

I've been obsessed with making movies since I was 15. I watched a lot of movies when I was young, and I decided that I wanted to do that because I was a passionate kid about watching movies.

If you lost the love of your life, that's a nightmare.

To me, the movie is more funny if, at the same time, you can think a little bit or dream a little bit.

On the set, everybody is different, so you have to deal with different sensibilities. I don't have a method. Usually, I try to have a good connection with the actor that I'm filming. Even a guy who's there with two lines of dialogue, I always try to have a connection with the guy I'm filming, just to make it into a nice, enjoyable moment.

When I'm on the set, I take five minutes to find the best angle for a scene, and then we just shoot it and it looks exactly what you see on screen because I don't touch it afterwards. I never think about it, before being on the set. That's my thing. I love to be stuck.