It [moviemaking] is like a dream. When you're dreaming, you make some very strange connections between some random stuff and random people.

I want to be someone who is doing something solid. And I am doing my thing. You can like it or not, but I know that now I have a really nice group of really cool and talented actors that follow me. It's the same for them. They have a special connection with my movies because we do these movies differently.

It depends on the way you shoot it. It's something I don't really control. The main goal is to make a funny movie, but then I let my mind go. I get lost sometimes in the writing, trying to find some special zones. That's the excitement of making a movie.

That's what happens with most comedies. If you watch 10 minutes and there's no joke, then you're disappointed because you're expecting jokes. The same goes for emotional movies. You have to feel something. If you don't feel anything for 10 minutes, you get bored.

I'm a small filmmaker, making my small, low-budget movies, but I'm super lucky to know that everybody reacts differently to my movies. That's interesting.

Around age 18, I decided to start writing my own stuff. I wrote some bad short films and shot them. I tried to make them better and better. I slowly learned how to make movies, and I think I'm still learning.

To me, the movie is more funny if, at the same time, you can think a little bit or dream a little bit.