Yeah, the main goal when I'm writing [movie scripts] is to entertain myself. It's supposed to be funny, but then a funny idea can be turned into something else.

On the set, everybody is different, so you have to deal with different sensibilities. I don't have a method. Usually, I try to have a good connection with the actor that I'm filming. Even a guy who's there with two lines of dialogue, I always try to have a connection with the guy I'm filming, just to make it into a nice, enjoyable moment.

That's what happens with most comedies. If you watch 10 minutes and there's no joke, then you're disappointed because you're expecting jokes. The same goes for emotional movies. You have to feel something. If you don't feel anything for 10 minutes, you get bored.

I'm just trying to find some secret places in the human brain because I think movies tend to be too rational sometimes. Everything is supposed to make sense. Everything is supposed to be logical.

When you watch an audience watching my movies, you realize that nobody laughs at the same time. Some people enjoy a beat, and then another group of people are laughing at a sight gag, and then someone laughs where nobody laughs before. They're not timed like a comedy. You're not supposed to laugh at every joke. You decide.

Yeah, the main goal when I'm writing [movie scripts] is to entertain myself. It's supposed to be funny, but then a funny idea can be turned into something else.

I want to be someone who is doing something solid. And I am doing my thing. You can like it or not, but I know that now I have a really nice group of really cool and talented actors that follow me. It's the same for them. They have a special connection with my movies because we do these movies differently.