You focus on the here and now in order to escape existence forever and vanish into Nirvana. There is another religious impulse that is the opposite of this. It uses a world elsewhere in order to affirm life and give a reason to "go forth and multiply".
Quentin S. CrispMy muse can take the form of a landscape, an era, a style of writing, a piece of music, and, perhaps that which I find strangest of all for a muse, a human female. Of course, she's also adept at taking the form of toothless old Japanese men or young English lads with tattoos.
Quentin S. CrispI feel like the seventies was a decade where things ran out, and where other things set in. There was just a lurking graininess and seediness about the decade, a slight grogginess of the hangover from the sixties.
Quentin S. CrispWestern progress (from one damned thing to another) seems to be essentially the MO of nowhere fast. But, on the other hand, the don't-set-foot-outside-your-own-village/cave ideal or injunction that you find in Buddhism and even in the Daoism of which I'm fonder, seems . . . defeatist. And more than that, it is in contradiction to what nature actually does. Somewhere, somehow, I feel as if these two opposing principles have to be reconciled.
Quentin S. Crisp