[william] Burroughs, incidentally, took up the slogan that we are "Here to go", which contradicts the tendency in Eastern mysticism to advocate staying where you are because there's nowhere to go anyway. I feel conflicted on this one.

It's interesting, the sense of pastoral utopia that exists in so much fantasy - in [Edward ] Dunsany, [John R.R.] Tolkien and so on.

Anyway, yes, telephones but not mobile phones, fish and chips still wrapped in actual newspaper and still with some kind of flavour, people visiting each other without having to consult their appointment diaries, not being able to record anything from the television; if you missed it you missed it - these were all the kinds of thing that made up the normality of the seventies.

My muse can take the form of a landscape, an era, a style of writing, a piece of music, and, perhaps that which I find strangest of all for a muse, a human female. Of course, she's also adept at taking the form of toothless old Japanese men or young English lads with tattoos.

What I find difficult about Buddhism, though it is also one of its significant fascinations, is the focus on what is immediately and physically present. To me, this seems a denial of the imagination, and the imagination is very important to me.

I suppose what I can say is that I do feel I have a natural spiritual sensibility.

I associate my childhood with two things, mainly: the North Devon countryside and a sense of connection to another world.