I steal from every movie ever made.

Most, actually, German actors have like some speaking of French. So, the French wasn't the problem. But, I was having a problem with them doing my dialogue in English. And it wasn't a matter of fluency.

I appreciate the female foot, but I've never said that I have a foot fetish. But I am a lower track guy. I like legs' I like booties'. I have a black male sexuality.

I shot the way I wanted to shoot [in The Hateful Eight]. The only real disadvantage I felt at the time, but I don't feel now, was that we weren't able to get a zoom lens, and I had really gotten used to using a zoom lens for that little zoom creep. But it was also a nice thing to be forced to not use all the tools that you've gotten used to, from time to time, and to be able to work in a different way.

I'm not saying it's a bad thing to do, but when you try to deal with prescient themes in the present, that is what you're doing.

When it came to a lot of these German actors with the English, they just couldn't do it. They couldn't get the poetry out of it. They couldn't own it and make it their own. And then Christoph [Waltz] came in, and I didn't know who Christoph was.

The way I write is really like putting one foot in front of the other. I really let the characters do most of the work, they start talking and they just lead the way.