When it came to a lot of these German actors with the English, they just couldn't do it. They couldn't get the poetry out of it. They couldn't own it and make it their own. And then Christoph [Waltz] came in, and I didn't know who Christoph was.

Pigs are filthy animals. I don't eat filthy animals.

I mean, there's an aspect I've always said that is - it's, you know, it's not poetry but it's kind of like it. It's not song lyrics but it's kind of like song lyrics. It's not rap but it's kind of like rap. And it's not stand-up comedy but it is kind of like stand-up comedy. It's all those things together.

I am a genre lover - everything from spaghetti western to samurai movie.

I really become the characters when I'm writing them. I'll become one or two of them more than others, I'm consistent that way.

When I was on The View, Barbara Walters was asking me about the blood and stuff, and I said, 'Well, you know, that's a staple of Japanese cinema.' And then she came back, 'But this is America.' And I go, 'I don't make movies for America. I make movies for planet Earth.'

I don’t want to be an old-man filmmaker, making old-man movies, and I don’t want to be the one not to know when to leave the party.