If I'm doing my job right, then I'm not writing the dialogue; the characters are saying the dialogue, and I'm just jotting it down.

With everything I've done from "Jackie Brown" on, I got really into really writing more prose in the - in what you're calling the stage directions, all right, and consequently my scripts have gotten bigger and bigger, and cut to "Kill Bill Volume 1 and 2."

When you start writing, you have your characters on a metaphorical paved road, and as they go down it, all these other roads become available that they can go down. And a lot of writers have roadblocks in front of those roads: they won’t allow their characters to go down those roads... I’ve never put any roadblocks on any of these paths. My characters can go wherever they would naturally go, and I’ll follow them.

Suddenly, Westerns, which were our action films and what the working man went to see to blow off steam and have a good time, became boring to most people growing up from the Eighties on, because they're kind of pastoral.

A thing when I was writing the movie 'The hateful eight' was, I hate The Confederate cause. I've always felt that they are our Nazis and the rebel flag was our swastika. So I totally have no love for that whole romance for that Antebellum time period.

The way I write is really like putting one foot in front of the other. I really let the characters do most of the work, they start talking and they just lead the way.

When I'm writing something, I try not to get analytical about it as I'm doing it, as I'm writing it.