Apache have the strongest nation in the world behind them. So we're going to inflict pain where our European aunts and uncles had to endure it. And so the fact that you could actually get Nazis scared of a band of Jews, that's - again, that's a gigantic psychological thing.

I remember when it was reported that I was going to do the film in this format, people were actually speculating, and I guess I understand it. They were like, "Yeah, okay, that all sounds really great, but why would he do it for a thing that's so set bound?" That's not very profound thinking when it comes to 65mm. It's not just for shooting travelogues, mountain scenery and nature.

My writing's like a journey. I'll know some of the stops ahead of time, and I'll make some of those stops and some of them I won't. Some will be a moot point by the time I get there. You know every script will have four to six basic scenes that you're going to do. It's all the scenes where your characters really come from.

I actually thought that the idea of doing a World War II movie in the guise of a spaghetti western would just be an interesting way to tackle it. Just even the way that the spaghetti westerns tackled the history of the Old West, I thought it could be a neat thing to do that with World War II, but just as opposed to using cowboy iconography, using World War II iconography as kind of the jumping-off point.

I've always thought John Travolta is one of the greatest movie stars Hollywood has ever produced.

I will never do Pulp [Fiction] 2 but having said that, I could very well do other movies with these characters.

Sometimes things need to get really bad before they can ever get better. Really bad can become untenable if enough people get sick of it. That was a big thing about why I ended up taking part in that rally [against police brutality] and ended up voicing my opinion and declaring what side I was standing on.