I was born at a very crucial time. I consider 1968 to be the Mason Dixon line between pre- and post-civil rights generation ideas, whereas a lot of people born before '68 they kind of went into that Moses mentality. Like, I'm not going to make it, you know, I don't have any hope.

Resistance here doesn't mean revolution. It doesn't mean storming the barricades. Resistance means using art for the things that it does best, which is to create human portraits and communicate ideas and forge a climate where people of different races or classes are known to you because they make themselves known. In the simplest terms, art humanizes. It opens the circuit of empathy. And once that process happens, it's that much harder to think of people as part of a policy or a statistic. Art reverses the alienation that can creep into society.

I believe that the only people who really, truly benefit from any of the policies of Republicans are the wealthy. I'm in that 1 percent tax bracket, but I'm not a man of wealth.

According to my parents, I just started drumming when I was two. I traveled with them from five to seven on the road, playing percussion. Between 8 and 12, my dad sort of prepared me by teaching me every aspect of road life.

When you live your life through records, the records are a record of your life.

My parents were really strict about me not watching cartoons.

I feel like the downfall of any person is the second an artist starts celebrating their work themselves, that becomes problematic. And you know, I don't sit there, I don't bask in the awards I've won, you know, read my bank statements, I refuse. To me, that's how you start losing the hunger. So for me personally, I just don't celebrate it. I'm happy, right now.