I was 12, about to turn 13. [Laura Ziffren] pretty much knew she wanted to use me, so I just had to go and do the proper protocol and audition.

I was on set [Romeo + Juliet] maybe an hour for two days. It was in this big cathedral in Mexico City. I just remember being up there in the balcony, and it was myself up front and there was a choir behind me. In front of me was this rail, like this cement rail, and I was like, "Oh my gosh!" Because I was a kid then, and I'm like, "We're kinda high ... I hope I don't flip over," because I'm very clumsy.

I kind of think that he [Prince] was pleased because he allowed [When Doves Cry] to be done.

[Leonardo DiCaprio] is so cool. He was one of the coolest, down-to-earth people that I think I've ever met. I've never experienced meeting someone like that, [who could] just be so cool and down-to-earth and welcoming.

[Baz Luhrmann] is funny, to be quite honest with you.

[Romeo + Juliet] is relevant when Hamlet and all of that was out, when [William] Shakespeare wrote it. It's relevant now. It's not a shocker, but then it is. I guess so because I'm in it, so it's shocking that it's still on TV. People are still talking about it. Hey, I'm still getting royalty checks from it. It's amazing to me and I hope it continues forever.

There's a video that's been floating around on YouTube where [Baz Luhrmann says], "We were looking for a guy that sounded like a young Stevie Wonder but much more we got a guy that sounded like a younger version of Aretha Franklin. His name's Quindon Tarver." I was just like, "Wow, to be compared to her."