[Baz Luhrmann] is very serious - he wants it done and he wants it done accurately. He was in the studio actually when I recorded "Everybody's Free." I remember meeting him and him being amazed by my voice.

I still have so much gratitude for being part of something so great that is still around 20 years later, played in school and still getting the recognition that it gets. It is shocking, but then like I said, it's timeless so it isn't.

[Baz Luhrmann] is very serious - he wants it done and he wants it done accurately. He was in the studio actually when I recorded "Everybody's Free." I remember meeting him and him being amazed by my voice.

I didn't see that at all. I just saw everyone having a good time and everyone having fun [on set of Romeo + Juliet]. I didn't see anyone having any spats or disagreements. If they did, they hid it very well. But as far as I saw, it was a positive vibe. It was positive energy.

I just remember him [Baz Luhrmann] making me laugh, and his accent.

I had to perform in Dallas at the W Hotel. I was with my best friend, and I had walked on in to the area where I was meeting the crew. Then my best friend came in, and he's like, "This girl at the front desk asked, 'Is his name Quindon? I know him, he's that guy from Romeo + Juliet, I'm one of his big fans.'" I was just like, how does she recognize me from then to now? I was wowed by that because here I am 34, it was 20 years ago, and how does she recognize me?

I was on set [Romeo + Juliet] maybe an hour for two days. It was in this big cathedral in Mexico City. I just remember being up there in the balcony, and it was myself up front and there was a choir behind me. In front of me was this rail, like this cement rail, and I was like, "Oh my gosh!" Because I was a kid then, and I'm like, "We're kinda high ... I hope I don't flip over," because I'm very clumsy.