I guess they still show the movie in school, so around the time of movie showing, my Facebook inbox and my Instagram DM is flooded. "Are you the Quindon Tarver from the movie Romeo + Juliet? Oh my god, you did a great job."

I was really excited because I had never ever in my life done anything like this [Romeo + Juliette], and at such a young age it was like, "Wow, my dreams are coming true, I'm already in a movie at the age of 12."

There's a video that's been floating around on YouTube where [Baz Luhrmann says], "We were looking for a guy that sounded like a young Stevie Wonder but much more we got a guy that sounded like a younger version of Aretha Franklin. His name's Quindon Tarver." I was just like, "Wow, to be compared to her."

[Baz Luhrmann] is very serious - he wants it done and he wants it done accurately. He was in the studio actually when I recorded "Everybody's Free." I remember meeting him and him being amazed by my voice.

I was 12, about to turn 13. [Laura Ziffren] pretty much knew she wanted to use me, so I just had to go and do the proper protocol and audition.

I was on set [Romeo + Juliet] maybe an hour for two days. It was in this big cathedral in Mexico City. I just remember being up there in the balcony, and it was myself up front and there was a choir behind me. In front of me was this rail, like this cement rail, and I was like, "Oh my gosh!" Because I was a kid then, and I'm like, "We're kinda high ... I hope I don't flip over," because I'm very clumsy.

[Baz Luhrmann] is funny, to be quite honest with you.