I think in Arabic at times, but when I'm writing it's all in English. And I don't try to make my English sound more Arabic, because it would be phony - I'm imagining Melanie Griffith trying to do a German accent in Shining Through. It just wouldn't work. But the language in my head is a specific kind of English. It's not exactly American, not exactly British. Because everything is filtered through me, through my experience. I'm Lebanese, but not that much. American, but not that much. Gay, but not that much. The only thing I'm sure of, really, is that I'm under 5'7".
Rabih AlameddineI wonder if being sane means disregarding the chaos that is life, pretending only an infinitesimal segment of it is reality.
Rabih AlameddineI long ago abandoned myself to a blind lust for the written word. Literature is my sandbox. In it I play, build my forts and castles, spend glorious time.
Rabih AlameddineI love a lot of American writers, but I think that for the most part the scope of what's accepted as great American writing is very limited. What we have is good, but it's limited. There's not enough engagement with the world. Our literature's not adventurous enough. The influence of MFA writing tends to make things repetitive. The idea that writing can be taught has changed the whole conversation in the U.S.
Rabih AlameddineI'm surprised how often I'm asked about being a man with a woman narrator. I'm not the first, nor will I be the last. It's been done forever, but we seem to forget that. The whole notion of "write what you know" is not just boring, but wrong. Lately it seems like every novel has to be a memoir. I'm a boring person, but I'm a writer with a relatively vivid imagination. And when people ask me about how I find the voice of a woman, I tell them that my life is run by women.
Rabih Alameddine