Cuban artists had, for a while, a privileged position within Cuba that is probably going to become slightly less restricted to them. I think they'll continue to join the international art world, so those people who are extremely successful will become even more so and those who are struggling will continue to struggle.

I feel like because black Cuban artists don't have the kind of pressure to thematize race in the way that African-American artists do, there's more space for them to do their art without having to discuss it in terms of racial identity.

The really great gallerists have always been interested in imagery that is not that imagery.

I think the art world will continue to be a place where people have a certain freedom and creativity to think about what's happening in Cuba.

Because there's such a long tradition of the arts being very prominent and very varied in Cuban culture and society, people do use the art world as a space for critical reflection and people look to it for that.

I'm incredibly enthusiastic about the normalization, I think it's very promising. But I do think there are some worrisome aspects.

US policy toward Cuba [at the time] had two tracks. Track 1 was to assassinate Fidel Castro. Track 2 was to subvert the regime through people-to-people contact.