The really great gallerists have always been interested in imagery that is not that imagery.

I'm incredibly enthusiastic about the normalization, I think it's very promising. But I do think there are some worrisome aspects.

Cuban artists had, for a while, a privileged position within Cuba that is probably going to become slightly less restricted to them. I think they'll continue to join the international art world, so those people who are extremely successful will become even more so and those who are struggling will continue to struggle.

I think the art world will continue to be a place where people have a certain freedom and creativity to think about what's happening in Cuba.

I feel like because black Cuban artists don't have the kind of pressure to thematize race in the way that African-American artists do, there's more space for them to do their art without having to discuss it in terms of racial identity.

US policy toward Cuba [at the time] had two tracks. Track 1 was to assassinate Fidel Castro. Track 2 was to subvert the regime through people-to-people contact.

The really great gallerists have always been interested in imagery that is not that imagery.