The really great gallerists have always been interested in imagery that is not that imagery.

I think the art world will continue to be a place where people have a certain freedom and creativity to think about what's happening in Cuba.

There aren't that many galleries in Havana. There are a few state galleries and an ever-increasing but still limited number of independent galleries; there's no comparison with the number in New York.

I'm incredibly enthusiastic about the normalization, I think it's very promising. But I do think there are some worrisome aspects.

Cuban artists had, for a while, a privileged position within Cuba that is probably going to become slightly less restricted to them. I think they'll continue to join the international art world, so those people who are extremely successful will become even more so and those who are struggling will continue to struggle.

US policy toward Cuba [at the time] had two tracks. Track 1 was to assassinate Fidel Castro. Track 2 was to subvert the regime through people-to-people contact.

I feel like because black Cuban artists don't have the kind of pressure to thematize race in the way that African-American artists do, there's more space for them to do their art without having to discuss it in terms of racial identity.