If I could create my own utopia, it would be this genderless world where we didn't have to talk about it.

One of the ways that my show has been most successful is when it's dealing with women's issues, like Spanx and plucking and having heavy tits. That's why it feels like, creatively, an advantage.

That quality is what makes women great collaborators; we understand it's a team effort. Even if it comes from society telling us to be polite.

You see so many of these empowering songs where a woman saying, you know, I'm going to go out, I'm going to wear high heels, you know, short skirt or whatever. But the high heels are quite uncomfortable, and so how good about yourself are you really feeling walking out in high heels?

When you wrap up your self-worth with your talent, and suddenly you might not be the most talented, that's really scary. And I think that fear is in part why I turned to comedy because I had no expectations of being a comedian. It was exciting to get good at something where I wasn't afraid of not being the best.

Men aren't actively writing women to oppress them, men are writing what they know. I say you can be much better as a woman for women's rights if you just go up there and write your own material.

As a young girl, if you do something funny - especially if you're Jewish - someone says, 'Oh, have you seen Gilda Radner?'