I always write to the moment. I've always been that kind of emcee. I don't wanna come in with all the paperwork and all o' that or whatever. That's good when you just an emcee from off the block that really don't have to work as hard as the next man. But when, you know... Y'all make me write like this, from, I guess, me makin' a classic and everybody callin' my stuff classic material - that makes me have to work ten times harder. But a lot o' times things just happen at the moment for me: spur o' the moment. That's just how it goes sometimes.

As an artist, it's so important to create music that puts a chill through your body or does something to make you feel good. I think my album has a little bit of everything in it and that's important to me.

I never been a hater of these other cats, who never really had nothing, being successful. That's not my problem.

As you keep shooting the ball, you become a better basketball player.

But 'Cuban Linx' was a project that really needed to come, and I really wanted to get it off my chest because I know that the fans were really skeptical about it, like 'is this really gonna be what it's supposed to be?' So once everybody caught it for what it was and everybody was happy, that's mission accomplished for me.

The most important thing is just to be recognised as a legend, like the people call me. To have that title attached to your name, you've got to be a bad man. It's an honour to have that role.

I think a lot of people can learn from listening to hip hop. It ain't always about beats and rhymes.