Raekwon Quotes

I never been a hater of these other cats, who never really had nothing, being successful. That's not my problem.

Sometimes you can make a substantial amount of money and automatically think that you've made it, that you did everything you wanted to do. Some people just stop.

Well Ice H20 is my company that I plan to take to the next level with new artists, books, movies and so forth. It's more like a multimedia brand that I want to take to the next level and put some talented people on.

I'm my own biggest marketing tool. I know the history of the business and I might as well capitalize on it.

Soul music has so many great artists who put their thing down. That's important.

The main thing I look at is: Is it from the heart? If I know that you down with me, then we always gonna be down through whatever the thick and thin.

The better you get, the more your legacy shines. I always just try to go hard. If you don't want do it for real, don't do it at all.

When you think of a chef you think of somebody that could cook - you don't think of chef that says, 'Yo, I make only steaks'. No. A chef knows how to bake, he knows how to fry, he knows how to sautee, he knows how to do everything that's pertaining to food, and that's how I felt about my lyrical position. It's like I would say, 'Today I'm gonna make a hot salmon. Tomorrow I make you spaghetti. The next day I make you baked fish'. This is how my lyrical content in my head was already bein' reciprocated to the world, bein' given to y'all like that.

I'm not an artist that makes singles, I'm an artist that makes albums, and it's a totally different thing.

When I'm making the music, I feel like everything I throw out has to work. It counts. Because if you don't have people turning they neck all the way around to see what it is, it ain't stick on the wall.

I think that, right now, I am travelling in many different directions in my mind, on where I wanted to be. So much is wantin' to go back, but I still gotta move forward. But I think it's just that I'm my worst critic at all times, you know? And when I make somethin', it may be five or ten cuts later before I actually call it what it is. I've always been that kind of artist. I'm gonna put myself through the sweat for it, because I think, as an artist, that's what made me iller, is the fact that I didn't wanna just put out anything and everything. It's just a process, you know what I mean?

It's true, the Shaolin and the Wu-Tang, could be dangerous.

In order to be one of the greats, you've got to study the greats.

Rza just used the whole synopsis of the karate flick and capitalised offa that around this music. Some things you find out and you compare to yourself, and you're like, 'Wow, it has so much comparison to it', you start to live like that. And that's what happened - we started callin' ourselves Wu-Tang.

As an artist, it's so important to create music that puts a chill through your body or does something to make you feel good. I think my album has a little bit of everything in it and that's important to me.

You gotta have a schedule, you gotta have a team that's passionate about seeing you do the things you say you wanna do. When it comes to delivering this, it takes a lot of work and I can't do that on my own.

I love the energy that comes when I get on the mic. It keeps me creative and I love to hear what the fans want, what they love or hate about it.

Growing up in music motivated me. I applied that to my education and it made me a better person.

Before I think we was emcees, we was more or less narrators too. Because if you look at the early '80s hip hop, it was so much creativity goin' on with artists like then, like Slick Rick, then you had Rakim, and you had these different kind of artists back then. And we was a marble cake of all these artists. So I didn't have a problem with writin' stories because I felt like that was somethin' I loved to do. Even to this day, I really consider myself an entertainer-slash-narrator. I like to talk about stuff that goes on.

I just want to be remembered as a dope MC. As somebody who really covered a lot of ground and became internationally known.

When you a young kid at that age at that time, and you know that you got talent as far as hip hop, you wanna be on the radio, that's the first thing. So we was more or less infatuated with just havin' a song on the radio, you know? Before our careers even launched it was more or less about lettin' everybody know, 'Staten Island? You got good emcees there.'

You know, I'm a product of my environment, gettin' into everything you know a kid my age would get into, a lot of negativity was surroundin' me. And we came, sat up and had a discussion about makin' a record, I think I was more or less overwhelmed with just that fact.

I think there are a lot of dudes out there that are runnin' out of gas. Some of my favourites, even ones I look up to... I haven't been fully impressed with their dynamics of makin' a body of work that makes sense to me.

I don't have one track that I consider better than the next because all I'm trying to do is still grow as an artist.

In the early 2000s, I was going through a lot. I didn't have my head screwed on right. Where I was at as a man, I was still growing up.

Call me the rap assassinator / rhymes rugged and built like Schwarzenegger

I could never say Rza's trash. But he didn't come with the right formula on '8 Diagrams.' I think 'Cuban Linx 2' will have the Clan back where they need to be, but then it's up for the Clan to be back where they need to be, too. 'Cos it ain't just the album, you know what I mean? It's everything.

A star's the work - the work ethic you put into the business, and the people you excite. We only wanted to excite only a few people at that time, which was some o' the emcees that was hot that was in the game.

All I did was take my time, figure out where I made a lot of mistakes and try not to make them no more.

You know the steez; you know my whole program. Brothers from the No-Lands, all we want is the G's guns and grams.

As you keep shooting the ball, you become a better basketball player.

Analyzin' miss clairol, fendi'd down mascara on, assistant manager in paragon

Whether you hear me come out with another album or whether you hear any one of the Clan members, we're always going to involve everybody. When I look at 'Only Built 4 Cuban Linx, Part II,' I look at that as a Wu album. You feel me? Even though it was my brand and my thing that I done, I had my dudes on it.

I always write to the moment. I've always been that kind of emcee. I don't wanna come in with all the paperwork and all o' that or whatever. That's good when you just an emcee from off the block that really don't have to work as hard as the next man. But when, you know... Y'all make me write like this, from, I guess, me makin' a classic and everybody callin' my stuff classic material - that makes me have to work ten times harder. But a lot o' times things just happen at the moment for me: spur o' the moment. That's just how it goes sometimes.

I doubt if you get another Wu-Tang Clan. That might be harder than getting the new Jackson Five

Ghost tells me every few years, Yo, you showed me this style ... I'm like, man, we the same style. At the end of the day, he's one of my favorite rappers, I'm one of his favorite rappers, and we just do it.

I think a lot of people can learn from listening to hip hop. It ain't always about beats and rhymes.

You know the things I went through as a youngster, coming into the business, all the good, the bad and the ugly that came. I'd had a rough life. I grew up single parent. My mom, she was like a father to me.

When you grow up in that environment of drugs and guns and people gettin' hurt, it start to reflect your background. And I think, at that time when I was doin' it, that's all I knew. But as I got older in the business, I stopped bein' involved with that, and I started to look at the world. And I said, 'Yo, I wanna start talkin' about everything that goes on in the world. I don't wanna just limit myself to one style'.

I've never been the type of person to jump up and throw out the album without it being what it's supposed to be.

When I sit here and see that the eight brothers from the neighborhood that I grew up with still have success, it had to be magical.

The most important thing is just to be recognised as a legend, like the people call me. To have that title attached to your name, you've got to be a bad man. It's an honour to have that role.

I consider myself a genius because, when you talk about anything and everything, you a genius to me. It's just about makin' it fire on top o' more fire.

When you devote yourself to being an artist, you have to stay on your craft and always try to get better and better.

We was just young guys who wanted to change. We got tired of doin' this same everyday bullshit that we was doin', and we all felt like we had dreams o' bein' a big star. You know, as far as with myself, I never really took it that serious as bein' a star. I only took it that serious as bein' a emcee, which is two different things. You know what I mean?

It's important to have a spiritual side because tomorrow's no promise to us. We have to pay homage to our saviour and put him in our life more because, without him, you don't know where you're going to go.

But 'Cuban Linx' was a project that really needed to come, and I really wanted to get it off my chest because I know that the fans were really skeptical about it, like 'is this really gonna be what it's supposed to be?' So once everybody caught it for what it was and everybody was happy, that's mission accomplished for me.