And even being in the middle of it, at the LVMH group with Dior, there are certain parts of it that I'm just not really in, because it's not in me or my nature. The whole scene around it, the events, the photography ... It's never really been my thing. But I don't take a critical position on people who are very much about that either.

But overall I want to make sure people fall in love with the clothes and that they are satisfied

I'm usually very attracted to things that I can't define. If something's too clear, it's very often not inspiring to me anymore.

When artists connect to a system because they want to make a living, it's their own choice. In fashion, designers don't have that choice. I know everybody mentions Azzedine Alaïa, but he's been going for a long time in the system - showing to people, selling to clients - and I think it's admirable how he's transformed it into his own system in a way, but it's still a system.

I'm not an isolated person. The more I connect to people, the more I have the feeling that things work.

I'm a designer, and for me, things are always evolving, and such evolution is necessary.

I wanted an idea of the future, a new femininity. I wanted you to feel that you wouldn't quite know where these women were coming from and where they were going to.