In new situations, all the trickiest rules are the ones nobody bothers to explain to you. (And the ones you can't Google.)

I don't have to forgive you, Cath said. It's not like that with you. You're just in with me. Always. No matter what happens.

A landline is an anchor - busy signals, long distance bills, missed connections and all.

Ah." He set down his backpack and pulled out their notebook. "You're working on your final project?" "Indirectly," Cath said. "What does that mean?" "Have you ever heard sculptors say that they don't actually sculpt an object; they sculpt away everything that isn't the object?" "No." He sat down. "Well, I'm writing everything that isn't my final project, so that when I actually sit down to write it, that's all that will be left in my mind.

Holding Eleanor’s hand was like holding a butterfly. Or a heartbeat. Like holding something complete, and completely alive. As soon as he touched her, he wondered how he’d gone this long without doing it. He rubbed his thumb through her palm and up her fingers, and was aware of her every breath.

It’s just … everything. There are too many people. And I don’t fit in. I don’t know how to be. Nothing that I’m good at is the sort of thing that matters there. Being smart doesn’t matter—and being good with words. And when those things do matter, it’s only because people want something from me. Not because they want me.

Ophelia was bonkers, right? And Juliet was what, a sixth-grader?