I wouldn't leave Disney to do Disney.

I had the X rating on my films. Now they do as much on The Simpsons as I got an X rating for Fritz the Cat.

The art of cartooning is vulgarity. The only reason for cartooning to exist is to be on the edge. If you only take apart what they allow you to take apart, you're Disney. Cartooning is a low-class, for-the-public art, just like graffiti art and rap music. Vulgar but believable, that's the line I kept walking.

Live action writers will give you a structure, but who the hell is talking about structure? Animation is closer to jazz than some kind of classical stage structure.

Wizards was my homage to Tolkien in the American idiom. I had read Tolkien, understood Tolkien, and wanted to do a sort of fantasy for American kids, and that was Wizards.

I hired Bob at Terrytoons. He was my assistant animator, and then became an animator himself. He had just come from Boston with his family and was a brilliant draftsman as well as a great jazz guitarist. We had lots of fun nights in Greenwich Village together and then later hanging in LA. Bob worked on Fritz the Cat , Heavy Traffic , Coonskin , and on Wizards . I am terribly saddened by his passing and will miss him dearly.

My movies continue to be found and be sold because there's something going on in them.