Orwell was dealing with communism and his disillusionment with communism in Russia and what he saw the communists do in Spain. His novel was a response to those political situations. Whereas I was interested in more things than the political atmosphere. I was considering the whole social atmosphere: the impact of TV and radio and the lack of education. I could see the coming event of schoolteachers not teaching reading anymore. The less they taught, the more you wouldn't need books.

You must stay drunk on writing so reality cannot destroy you.

A good night sleep, or a ten minute bawl, or a pint of chocolate ice cream, or all three together, is good medicine.

And the lesson was this; sit in the sun, head down, within a prickly vine, in a flickery light, or open light, and the world will come to you. The sky will come in its time, bringing rain, and the earth will rise through you, from beneath, and make you rich and make you full.

First grade is very cheap. It's the later grades where you have to spend a lot of money if you don't do it right.

People who take books on sex to bed become frigid. You get self-conscious. You can't think a story. You can't think, "I shall do a story to improve mankind." Well, it's nonsense. All the great stories, all the really worthwhile plays, are emotional experiences. If you have to ask yourself whether or not you love a girl or you love a boy, forget it. You don't. A story is the same way. You either feel a story and need to write it, or you better not write it.

I believe in creative failing - to contine to write poems that fail and fail and fail until a day comes when you've got a thousand poems behind you and you're relaxed and you finally write a good poem.