It would be a mistake to believe that one could come to any substantive understanding of politics by discussing abstractly the good, the right, the true, or the rational in complete abstraction from the way in which these items figure in the motivationally active parts of the human psyche, and particularly in abstraction from the way in which they impinge, even if indirectly, on human action.
Raymond GeussHumans in modern societies are driven by a perhaps desperate hope that they might find some way of mobilizing their theoretical and empirical knowledge and their evaluative systems so as both to locate themselves and their projects in some larger imaginative structure that makes sense to them. ... Furthermore, many modern agents would like it to be the case that the form of orientation which their life has is, if not true, at least compatible with the best available knowledge.
Raymond GeussTo the extent to which the pull that moves me really is irresistible, like an invincibly strong addiction, the normal procedures of evaluation, deliberation, choice, decision, etc. that constitute the substance of our political life are not operating. The same is true of overwhelming aversion. The person being tortured who simply wants it to stop, period, is also not a good model for an agent acting politically.
Raymond GeussThe Kantian philosophy is no more than at best a half-secularized version of such a theocratic ethics, with "Reason" in the place of God. This does not amount to much more than a change of names.
Raymond GeussIt is an assumption that there is always one single dimension for assessing persons and their actions that has canonical priority. This is the dimension of moral evaluation; "good/evil" is supposed always to trump any other form of evaluation, but that is an assumption, probably the result of the long history of the Christianisation and then gradual de-Christianisation of Europe, which one need not make. Evaluation need not mean moral evaluation, but might include assessments of efficiency, ... simplicity, perspicuousness, aesthetic appeal, and so on.
Raymond Geuss