I don't drive often, because the parking makes it too much of a nuisance. And I could never go back to commuting or anything. I'd just get fed up with it.

It's inevitable that everyone's first drawing they draw is much like their fingerprint. It's inescapable that one has an identifiable style. It's not a major issue with me, but I never wanted to have a distinctive signature style so much.

I wouldn't want to be defined so much by comics or cartoons. My work is more narrative than that. If you take your basic cartoon, there's always a punchline or a joke at the end. My drawings don't depend on that so much.

If you don't use an image now you might have a place to put it in further down the line - and I have a lot of unfinished drawings.

What social media has done - Facebook, Twitter - is show the audience. I don't have an audience. When I make my work, it just goes out into the ether. I have a thick skin and it just brings me down to earth, you know, to realize how out-there and far away and paltry the audience is that gets what I'm saying. It's depressing if I let it get to me. And it's the same with hanging a show, the way it's put up, like, three stories high and you can't read a single word.

I really don't see any influence of my work on any artists. But I do think I've had an influence on drawings' being shown. I've had an influence on the economics of it.

Everybody has his own great ideas about what my art should be. But I can do whatever I like and there aren't many constraints to the way I work, whether I'm using a brush with ink or paint.