It was never my goal to capitalize on punk. I could never make it as a commercial artist. I didn't back then and I still don't have the temperament and don't care for drawing or painting or making art for any other purposes other my own.

It's possible to do your best work at your highest level without competing. I'm not anticompetition, but at an individual level, it can be degrading for both sides. And it doesn't have to be that way. I've done pretty well at getting past that sort of thing, and it's a relief not to have the rancor.

There's always a latent or inferred image in my writing. And I can almost always assume if I do a drawing that it will eventually have text.

It's very rare that someone gets the death penalty for charges of conspiracy, for his influence, for his Svengali-Rasputin act.

It's inevitable that everyone's first drawing they draw is much like their fingerprint. It's inescapable that one has an identifiable style. It's not a major issue with me, but I never wanted to have a distinctive signature style so much.

What social media has done - Facebook, Twitter - is show the audience. I don't have an audience. When I make my work, it just goes out into the ether. I have a thick skin and it just brings me down to earth, you know, to realize how out-there and far away and paltry the audience is that gets what I'm saying. It's depressing if I let it get to me. And it's the same with hanging a show, the way it's put up, like, three stories high and you can't read a single word.

Most writers do similar things in their minds. It's how the mind works, basically.