My drawing came out of editorial-style cartoons. Music was one thing and art was another, and there weren't really any standards for my art. My work was just drawings. They weren't done with any aspirations of becoming a part of punk scene. They weren't about punk. They were just collections of drawings, some of which I xeroxed and sold.

Anyway, the way political history is passed down is influenced and spoiled by the closeness of the writers to the political figures that they're writing about. It's a sad state of affairs, but there's probably more veracity of reporting in my work than there is in the newspapers.

In my time, we had little league and junior league or whatever - before that, there's the sandlot. Kids played baseball wherever you can make a space. We played tackle-football on the street. Now we play basketball in the studio. We have a hoop. But we also have a pitching machine.

Forgiveness is the nature of my art in general. It's expressing love and compassion, the kinds of things that don't make sense in any other context other than emotive expression.

I don't feel that I decided deliberately I'm going to write something and have it stand alone. Somewhere by the end I think it would probably revert to imagery.

Most writers do similar things in their minds. It's how the mind works, basically.

There are lots of guns and action in my drawings, and part of that is just to make them more interesting. Because you can go through a whole film and it's mostly talking heads and little else until the action scenes, and they're usually violence or physical stuff. Same with baseball, or any sport. Except I find pitching and batting are visually very striking.