What I'm doing on stage now is just the tip of the iceberg.

When I'm at the piano, and I'm improvising some song about something, it usually oscillates between factual, absurd, and sincere.

An improv artist's best instrument is their ability keep their antennae clean so they're able to receive what I call the connection to creativity. It's the thing that you see in any amazing moment that any human being is performing. Whether it's watching Michael Jordan navigating through all these attackers and then suddenly rising up and putting the ball in the most amazing way, or watching an actor on stage playing Shakespeare, but not thinking about the actor anymore or the stage or you or the chair, any of these kinds of moments of transcendence.

Feel not as though it is a sphere we live on. Rather, an infinite plane which has the illusion of leading yourself back to the point of origin.

You can either just have fun with the joke or you can have fun with the joke and think about the implication of it. It's totally up to the listener.

The idea of experimenting with machines to create art was always something I tinkered with.

Essentially a joke is creating an idea, whether sonic or visual, whether it's something musical or a traditional joke.