It's hard to move on when you can see too many good possibilities or any kind of possibility really. That's something that always kind of slows me down and can be a bad place to be in.

I try not to talk about something unless it's something I love. But if it's something that really annoys me, I fixate on it, learn something about it and then, when I'm onstage, it comes out.

Essentially a joke is creating an idea, whether sonic or visual, whether it's something musical or a traditional joke.

I'm always trying to see things from different peoples' perspectives, to understand why they love something.

Whatever encourages people to become more interested in who they are and discovering who they are, as opposed to just accepting what people or things are saying what they are. That's fascinating to me.

Religion can only dream to do what science and art does every day.

I've always wanted to do a Shakespearean soliloquy, or a fake Shakespearean soliloquy, and now I'm doing that more often in shows. Things I've always wanted to do starting to happen.