I like sincerely talking about market analysis and how marketing is ahead of design and design needs to catch up to fulfill the promise of the marketing.

In the past, I was definitely more apt to storing pain away and not worrying about it. But as I get older, it's really about figuring out how to process it, how to feel it, and then also how to use it in my art.

I think the end goal, hopefully, is to take advantage of the attention Ive gotten along the way and use it for good and build some communities, and as I get older I can continue to do things and be surrounded by things that are inspirational to me.

If I can learn a couple of phrases in Italian but do mostly weird, absurd music things, people will like it.

Now with the allocation and the understanding of the lack of understanding, we enter into a new era of science in which we feel nothing more than so much so as to say that those within themselves, comporary or non-comporary, will figuratively figure into the folding of our non-understanding and our partial understanding to the networks of which we all draw our source and conclusions from.

The things that are reflected back at us, often times, are appealing to a base instinct that's about response as opposed to reflection. So for me, it's important to turn on a piece of information that might interest people, you know, that might interest them in pursuing or researching maybe, or even just thinking about it in that moment as I'm performing it.

Obviously, there's all sorts of life happening all around us, but on a human level, I'm just interested in people making informed decisions. You know, increasing their awareness. And also, trying to encourage people to be more fascinated with information and science and knowledge of all sorts, instead of, you know, it's a generalization, but the encouragement by society, the reflections that society gives us, which is media, television, art - anything, really.