In the past, I was definitely more apt to storing pain away and not worrying about it. But as I get older, it's really about figuring out how to process it, how to feel it, and then also how to use it in my art.

Whether you're with a group of people, whether you're playing music or whether you're by yourself, even if it's written material, you have to be listening.

I've been taking pictures of wherever I go, or on planes, whatever.

I have that language and that set of skills to step out of the way and make music the priority.

Now with the allocation and the understanding of the lack of understanding, we enter into a new era of science in which we feel nothing more than so much so as to say that those within themselves, comporary or non-comporary, will figuratively figure into the folding of our non-understanding and our partial understanding to the networks of which we all draw our source and conclusions from.

Being faced with too many options. I mean, it makes me feel as though I'm overwhelmed by too many possibilities; that can be a very vulnerable feeling because it's hard to make a decision.

I like that feeling of discombobulation that comes in creating an absurd world that doesn't make sense.