I usually just say I'm a stand-up comedian, but I use looping machines to create ideas with my voice.

Now with the allocation and the understanding of the lack of understanding, we enter into a new era of science in which we feel nothing more than so much so as to say that those within themselves, comporary or non-comporary, will figuratively figure into the folding of our non-understanding and our partial understanding to the networks of which we all draw our source and conclusions from.

When I'm performing, I hope my research and my experience with those things I'm talking about rings true.

I think it's important as a performer, no matter where I travel, if I run into someone at the airport or I'm having a conversation on an airplane, run into someone on the sidewalk, or you're waiting on a long line and you start talking to somebody, who doesn't really share a lot of your same views, but then you come to commonality, I think that's very very important as well.

In the past, I was definitely more apt to storing pain away and not worrying about it. But as I get older, it's really about figuring out how to process it, how to feel it, and then also how to use it in my art.

A lot of times, in music especially, it's producers making a political decision.

Being faced with too many options. I mean, it makes me feel as though I'm overwhelmed by too many possibilities; that can be a very vulnerable feeling because it's hard to make a decision.