When I'm performing, I hope my research and my experience with those things I'm talking about rings true.

The things that are reflected back at us, often times, are appealing to a base instinct that's about response as opposed to reflection. So for me, it's important to turn on a piece of information that might interest people, you know, that might interest them in pursuing or researching maybe, or even just thinking about it in that moment as I'm performing it.

If I can learn a couple of phrases in Italian but do mostly weird, absurd music things, people will like it.

Not necessarily in the beginning, thinking I would have a career in comedy, but I was always interested in making people laugh.

I've always wanted to do a Shakespearean soliloquy, or a fake Shakespearean soliloquy, and now I'm doing that more often in shows. Things I've always wanted to do starting to happen.

Now with the allocation and the understanding of the lack of understanding, we enter into a new era of science in which we feel nothing more than so much so as to say that those within themselves, comporary or non-comporary, will figuratively figure into the folding of our non-understanding and our partial understanding to the networks of which we all draw our source and conclusions from.

I like that feeling of discombobulation that comes in creating an absurd world that doesn't make sense.