Reif Larsen Quotes

Outside, there was that predawn kind of clarity, where the momentum of living has not quite captured the day. The air was not filled with conversation or thought bubbles or laughter or sidelong glances. Everyone was sleeping, all of their ideas and hopes and hidden agendas entangled in the dream world, leaving this world clear and crisp and cold as a bottle of milk in the fridge.

I would not know what to say to you, except this: there was never a map that got it all right, and truth and beauty were never married to one another for long.

Writing a novel is always complicated, it's not like you snap your fingers and go, 'Ah, I know what I'll write'. For me, a lot of the time, I have to write and as I write, I learn about the story.

One cannot spend one's entire life running into bathrooms when danger calls!

I do love the sound of ripping corn husks. The violence of the noise, the sustained popping and shoring of the silky organic threads, made me think of someone tearing up an expensive and potentially Italian set of trousers in a fit of madness that this person just might regret later.

I suddenly had an idea of how adults can hold on to a feeling for very long periods of time, long after the event is finished, long after cards have been sent and apologies made and everyone else had moved on. Adults were pack rats of old, useless emotions

A text is evolutionary by its very nature.

I had trouble listening to adults who didn't really mean anything that they said; it was as if their language poured into my ears only to drain right out a little spigot in the back of my head.

A novel is a tricky thing to map.

A map does not just chart, it unlocks and formulates meaning; it forms bridges between here and there, between disparate ideas that we did not know were previously connected.

I was only twelve, but through the slow, inevitable burn of a thousand sunrises and sunsets, a thousand maps traced and retraced, I had already absorbed the valuable precept that everything crumbled into itself eventually, and to cultivate a crankiness about this was just a waste of time.

How many snapshots in the world were actually just-after shots, the moment that elicited the shooter to press the button never captured; instead, the detritus just following, the laughter, the reaction, the ripples.

Part of being a writer is knowing when what you write is really bad.

Do you ever get the feeling like you already know the entire contents of the universe somewhere inside of your head, as if you were born with a complete map of this world already grafted onto the folds of your cerebellum and you are just spending your entire life figuring out how to access this map?