Sometimes you want to run away Sometimes you think you do But you never had a dream like this before And you don't want to ask for more Sometimes you leave a mark Before you know the score

I think I understand what bands want, just from having made records myself. I understand what it takes to get a good vocal sound, or to make people comfortable in the studio. From minor things like their headphone mix - and if a singer's singing, how they should hear themselves - to how to make people feel that they're getting exactly what they want. All those things, I think, are an advantage, especially the part about having done it myself. I'm not just an engineer who records the sounds well. I'm not afraid to take chances.

If you want to talk about it, I got the time When you're looking so enchanted, you cover my mind If you think I'll wait forever, maybe you're right There's no such thing as now or never, there's only twilight

There's more to light than the opposite of dark.

You almost have to force yourself to stay in a vacuum to become different - if you really want to be different.

Refusing to ask for help when you need it is refusing someone the chance to be helpful.

The best thing you can do for a song is to hear it on the radio and to imagine what it could mean to you and then kinda forget the words. Just imagine how you felt when you heard it, if it was one of your songs. If it became one of your songs. If it meant whatever it meant for you and as soon as you see the visual, you get a rapid eye movement relationship with the song instead of an imaginative one. I think that can be dangerous because I don't think I'd want to be listening to a song on the radio and thinking about the video. Whatever that one interpretation was